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Breath, Eyes, Memory (Oprah's Book Club)

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At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new novelists, a writer who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage. At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.

Editorial Reviews

Amazon.com Review Oprah Book Club® Selection, May 1998: "I come from a place where breath, eyes and memory are one, a place from which you carry your past like the hair on your head. Where women return to their children as butterflies or as tears in the eyes of the statues that their daughters pray to." The place is Haiti and the speaker is Sophie, the heroine of Edwidge Danticat's novel, "Breath, Eyes, Memory." Like her protagonist, Danticat is also Haitian; like her, she was raised in Haiti by an aunt until she came to the United States at age 12. Indeed, in her short stories, Danticat has often drawn on her background to fund her fiction, and she continues to do so in her debut novel. The story begins in Haiti, on Mother's Day, when young Sophie discovers that she is about to leave the only home she has ever known with her Tante Atie in Croix-des-Rosets, Haiti, to go live with her mother in New York City. These early chapters in Haiti are lovely, subtly evoking the tender, painful relationship between the motherless child and the childless woman who feels honor bound to guard the natural mother's rights to the girl's affections above her own. Presented with a Mother's Day card, Tante Atie responds: "'It is for a mother, your mother.' She motioned me away with a wave of her hand. 'When it is Aunt's Day, you can make me one.'" Danticat also uses these pages to limn a vibrant portrait of life in Haiti from the cups of ginger tea and baskets of cassava bread served at community potlucks to the folk tales of a "people in Guinea who carry the sky on their heads." With Sophie's transition from a fairly happy existence with her aunt and grandmother in rural Haiti to life in New York with a mother she has never seen, Danticat's roots as a short-story writer become more evident; "Breath, Eyes, Memory" begins to read more like a collection of connected stories than a seamlessly evolved novel. In a couple of short chapters, Sophie arrives in New York, meets her mother, makes the acquaintance of her mother's new boyfriend, Marc, and discovers that she was the product of a rape when her mother was a teenager in Haiti. The novel then jumps several years ahead to Sophie's graduation from high school and her infatuation with an older man who lives next door. Unfortunately, this is also the point in the novel where Danticat begins to lay her themes on with a trowel instead of a brush: Sophie's mother becomes obsessed with protecting her daughter's virginity, going so far as to administer physical "tests" on a regular basis--testing which leads eventually to a rift in their relationship and to Sophie's struggle with her own sexuality. Soon the litany of victimization is flying thick and fast: female genital mutilation, incest, rape, frigidity, breast cancer, and abortion are the issues that arise in the final third of the novel, eventually drowning both fine writing and perceptive characterization under a deluge of angst. Still, there is much to admire about "Breath, Eyes, Memory," and if at times the plot becomes overheated, Danticat's lyrical, vivid prose offers some real delight. If nothing else, this novel is sure to entice readers to look for Danticat's short stories--and possibly to sample other fiction from the West Indies as well. --Alix Wilber Review "Danticat has created a stirring tale of life in two worlds: the spirit-rich land of her ancestry, whose painful themes work their way through lives across generational lines, and her adopted country, the United States, where a young immigrant girl must negotiate cold, often hostile terrain, even as she spars with painful demons of her past."--Emerge From the Publisher "Danticat has created a stirring tale of life in two worlds: the spirit-rich land of her ancestry, whose painful themes work their way through lives across generational lines, and her adopted country, the United States, where a young immigrant girl must negotiate cold, often hostile terrain, even as she spars with painful demons of her past."--Emerge From the Inside Flap At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new novelists, a writer who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage. At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people. From the Back Cover "Vibrant, magic. . . wraps readers into the haunting life of a young Haitian girl." --Boston Globe "Danticat's calm clarity of vision takes on the resonance of folk art. . . . Extraordinarily successful." --The New York Times Book Review "A novel that rewards the reader again and again with small but exquisite and unforgettable epiphanies." --Bob Shacochis, Washington Post Book World

About the Author

Edwidge Danticat was born in Port-au-Prince, Haiti, in 1969. Her parents emigrated to New York when she was a small child, while she and her brother remained in Haiti, where they were raised by an aunt and uncle. At the age of twelve she moved to Brooklyn to be with her parents. Danticat began writing as a teenager, and her essays and stories have appeared in many periodicals. She received a degree in French literature from Barnard College and an MFA in writing from Brown University. At Brown she completed work on Breath, Eyes, Memory, which she had begun as an undergraduate, and the novel was published in 1994. After finishing her master's degree, Danticat worked in Clinica Estetico, the production office of film director Jonathan Demme, who has a consuming interest in Haiti. She read and wrote scripts and continues to monitor and occasionally protest American policy in Haiti. In late 1994, Danticat returned to Haiti for the first time in thirteen years, to see President Aristide restored to power. Danticat is the recipient of a James Michener Fellowship and awards from Seventeen magazine and from Essence. She is also the author of a collection of Haitian stories, Krik? Krak!, which was a National Book Award finalist, and the novel, The Farming of Bones (1998). She lives in New York City.

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Inventory Last Updated: Feb 28, 2021

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